Robert Christgau: Dean of American Rock Critics

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Consumer Guide Album

Dolly Parton: The Best of Dolly Parton [RCA Victor, 1970]
The clear little voice is camouflage, just like the big tits. When she's wronged, as she is in five of this record's six sexual encounters (four permanently premarital, one in which hubby throws her into a "mental institution"), her soprano breaks into a cracked vibrato that for me symbolizes her prefeminist pride in her human failings ("Just Because I'm a Woman") and eccentricities ("Just the Way I Am"). Not all of these mini-soaps are perfectly realized and "In the Ghetto" is a mistake. But as far as I'm concerned she rescues "How Great Thou Art" from both Elvis and George Beverly Shea, maybe because a non-believer like me is free to note that the one who ruined her only happy love affair (with her fella Joe and her dog Gypsy, both of whom die) was the Guy in the Sky. A