Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
Books
Writings:
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  What's New?
Carola Dibbell
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Blood, Sweat & Tears: 3 [Columbia, 1970]
Just figured out how David Clayton-Thomas learned vocal projection: by belching. That's why when he gets really excited he sounds as if he's about to throw up. But it's only part of the reason he gets me so excited I feel like I'm about to throw up. The whole band commits "Symphony for the Devil," a pretty good rock and roll song revealed as a pseudohistorical middlebrow muddle when suite-ened. And just who added themes by Bartok, Prokofiev, Thelonious, and Fred Lewis (Fred Lewis?) to a Stevie Winwood tune? C-