Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Consumer Guide Album

Elliott Murphy: Street Lights [RCA Victor, 1976]
This time I can't blame the production--if anything, Steve Katz's understated hard rock and adept background voices lend emotional weight to songs that would otherwise sound hopelessly immature. Murphy's voice has always been callow, but whereas two-and-a-half years ago he came across as a compassionate kid who reached out toward the world as a natural function of this self-discovery, now he sounds like an effete young man who strikes out at the world as a natural function of his self-involvement. The distinction is less than clear-cut, and perhaps too sharp to apply to an artist of such laudable moral ambition, but anyone who praises someone whose "wounds are open for the sake of art" (ugh! what a line!) has never heard the one about the heart and the sleeve. C+