Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:
Twitter:

Gary Numan & Tubeway Army [extended]

  • Replicas [Atco, 1979] B+
  • The Pleasure Principle [Atco, 1980] B

See Also:

Consumer Guide Reviews:

Replicas [Atco, 1979]
Resistant as I am to the new strain of synthesizer punk now reaching us from England, I didn't connect to this for months--not until I listened to the singing. Numan's lyrics abound with aliens and policemen and pickups in what sounds at first like the worst sort of received decadence, but his monotone is too sweet and vulnerable for that impression to stick. To you it may be sordid sex and middlebrow sci-fi; to him it's romance and horror. The debut (Tubeway Army, Beggar's Banquet import) is faster, more pointed, and includes no instrumentals. This is catchier, more haunted, and includes two. B+

Gary Numan: The Pleasure Principle [Atco, 1980]
Once again, metal machine music goes easy-listening. But last time the commander-in-chief of the tubeway army was singing about furtive sex, policemen, and isolation, while this time he's singing about robots, engineers, and isolation. In such a slight artist, these things make all the difference. B