Steve Reid [extended]
- Rhythmatism [Mustevic, 1977]
B+
- Tongues [Domino, 2007]
- NYC [Domino, 2008]
**
See Also:
Consumer Guide Reviews:
Rhythmatism [Mustevic, 1977]
Here's what happens when you oblige jazz artists to record themselves. The music is terrific; personally, I prefer this sampling from the forceful alto saxophonist Arthur Blythe to David Murray's work on Low Class Conspiracy, probably because it's simpler. Leader Reid, a drummer, always provides what the title promises, and like so many of the new players Blythe isn't limited to modern methods by his modernism--he favors fluent, straight-ahead Coltrane modalities, but also demonstrates why he belongs on a tune for Cannonball. But the sound is really lame--the drums are mixed up front without any gain in clarity or presence, and the horns could be coming through the bathroom door. A label like Blue Note, say, hasn't first-released any music this solid in years; I wonder how much just one album a year of it would cost. B+
Kieran Hebden and Steve Reid: Tongues [Domino, 2007]
"The Sun Never Sets," "Our Time" 
Kieran Hebden and Steve Reid: NYC [Domino, 2008]
With New York drummer Reid in the driver's seat, "folktronica" turns frantic, dark, urban ("Lyman Place," "1st & 1st"). **
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