Robert Christgau: Dean of American Rock Critics

Consumer Guide:
  User's Guide
  Grades 1990-
  Grades 1969-89
  And It Don't Stop
Books:
  Book Reports
  Is It Still Good to Ya?
  Going Into the City
  Consumer Guide: 90s
  Grown Up All Wrong
  Consumer Guide: 80s
  Consumer Guide: 70s
  Any Old Way You Choose It
  Don't Stop 'til You Get Enough
Xgau Sez
Writings:
  And It Don't Stop
  CG Columns
  Rock&Roll& [new]
  Rock&Roll& [old]
  Music Essays
  Music Reviews
  Book Reviews
  NAJP Blog
  Playboy
  Blender
  Rolling Stone
  Billboard
  Video Reviews
  Pazz & Jop
  Recyclables
  Newsprint
  Lists
  Miscellany
Bibliography
NPR
Web Site:
  Home
  Site Map
  Contact
  What's New?
    RSS
Social Media:
  Substack
  Bluesky
  [Twitter]
Carola Dibbell:
  Carola's Website
  Archive
CG Search:
Google Search:

L'Orange [extended]

  • Old Soul [self-released, 2011] **
  • The City Under the City [Mello Music Group, 2013] **
  • The Night Took Us in Like Family [Mello Music, 2015] A-
  • Time? Astonishing! [Mello Music Group, 2015] **
  • The Life and Death of Scenery [Mello Music Group, 2016] *
  • The Ordinary Man [Mello Music, 2017] ***

See Also:

Consumer Guide Reviews:

Old Soul [self-released, 2011]
Billie Holiday tribute mixtape-qua-rip, no more and definitely no less ("Lost Souls," "The Night") **

L'Orange & Stik Figa: The City Under the City [Mello Music Group, 2013]
Atmospheric North Carolina beatmaster embellishes sincere Topeka rapper, Firesign Theater chips in ("Before Midnight," "Dopamine") **

L'Orange & Jeremiah Jae: The Night Took Us in Like Family [Mello Music, 2015]
Reminding us that gangsters are an old story in the entertainment business, impressionistic beatmaster samples multiple subnoir flicks with occasional Bogart for a touch of class. The verbal content is murmured by an L.A.-based Flying Lotus subaltern constantly off kilter and on point: "Kept the spirit like K-Fed/Now I'm aiming with the crossbow off with his head/Running jewels with the Pro-Keds/We wanna run from the man for the street cred." So yes, there's a message, laugh lines too. Homeboy Sandman gets a 16. But the pull is musical, particularly the way L'Orange's rhythms shift texturally as well as temporally--every minute, new effects daub and stipple the groove. Although lighter in tone and bottom, it had me going back to Ghost Dog. Hip-hop soundtracking doesn't get more evocative than that. A-

L'Orange & Kool Keith: Time? Astonishing! [Mello Music Group, 2015]
"My lyrics seem to amaze us--all five of us," cracks the crackpot, who at least cans the porn in this multi-collab whose producer is solely responsible for the instrumental intro it never tops ("Time? Astonishing!" "Dr. Bipolar," "Upwards. To Space!") **

L'Orange & Mr. Lif: The Life and Death of Scenery [Mello Music Group, 2016]
Dystopia soundscaped, meaning technology's terrible beauty lovingly tended and paradoxically embraced ("Strange Technology," "Five Lies About the World Outside") *

The Ordinary Man [Mello Music, 2017]
Mellow, grooveful, humorous beatmaster-soundscaper emerges from a bout of hearing loss with an ear-friendly bag of tricks that's never trickier than when guest rappers pay their respects and collect a check ("Blame the Author," "Look Around," "Things Are Just Props") ***